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| Island of Korcula |
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The relief supports the composition of the soil: about 90 percent of the island is hilly, but the hills do not exceed the height of several hundred metres. The highest peak Klupica (568 m) lies almost in the centre of the island between Pupnat and Cara villages. Next come Gradina (554 m), Kom (510 m), and Hum (377 m). ![]() CLIMATE The island has a very mild Mediterranean climate. Mean temperatures are rather high: the mean annual temperature is 16.8°C, in the coldest month of January it is 9.11°C, in the hottest month of July 26.9°C. Daily and annual temperature differences are small, which is very favourable for agriculture and tourism. There are many hours of sunlight, 2,700. There is little rain, about 41 days during the year, mostly in autumn and winter, while late spring is usually a dry period interspersed with rare short-lasting storms. Snow is uncommon; when it does fall it falls first in Pupnat and the surrounding peaks but thaws quickly because the temperature rarely drops below O°C. It is almost always windy in the Peljesac Channel. In summer the refreshing western maestral usually blows, well for sailing; in winter the south-easterly jugo, the cold north-easterly bura, or strong northerly tremuntana. |
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The island vegetation is Mediterranean, rich and varied. Korcula is one of the most forested Adriatic islands, as much as 61 per cent of its surface is covered with woods and macchia thickets. Conifers grow everywhere: Aleppo pine (Pinus halepensis), stone pine (Pinus pinea), Dalmatian black pine (Pinus nigra), cypress (Cypressus), and other species. The island has thick indigenous forests of holm oak (Quercus ilex), wild olive, carob, and bay. Heather, arbutus, prickly juniper, vetch and other plants grow in the low undergrowth called macchia. POPULATIONS The oldest island settlements were in the interior beside the poljes and the many caves. Slav settlements, Zrnovo, Pupnat, Cara, Smokvica and Blato, later developed on the sites of Greek and Roman settlements, and near them: only the city of Korcula grew on the sea shore. Lumbarda developed rather late, because a provision from the 14th century Korcula Statute explicitly prohibited the settlement of that area. Nevertheless, from the end of the 15th century people of Korcula built their summer houses and worked the land there, and a village gradually formed around them. Raciste dates from the 17th century, founded by refugees from the Turks on the mainland, mostly from Herzegovina, while Vela Luka developed at the beginning of the 19th century. HISTORY The island of Korcula was inhabited in prehistory and traces of ancient life were discovered in many places. The oldest are finds of Neolithic stone knives on the islet of Badija near Korcula. The Neolithic site of Vela Spilja (Great Cave) in Vela Luka is the richest and best researched. Several strata of prehistoric life were explored here with fire places, pottery shards and graves (from 5000-3000 B.C.). Many Neolithic tumuli, cult sites and graves are scattered over the whole island. In the 6th century B.C. the Greeks settled the island, first near Vela Luka, and named the island Coreyra Melaina (Black Korcula). Somewhat later Greeks from the island of Vis (Issa) settled the other end of the island, the area of today's Lumbarda, where they founded an important settlement mentioned in a 3rd century B.C. inscription (Pshysm) discovered at the end of the 19th century. Greek graves from that period were found in Lumbarda with contributions of gnathia vases. It is certain that systematic archaeological excavations would reveal not only a complete Greek necropolis, but other traces of their settlement, as well. Although the islander's way of life and work changed considerably and thoroughly through time, especially in the second half of the 20th century, many old customs connected to church holidays and other community and family events have been preserved. Until recently most of the people lived in villages. Their clothes were similar because they wore national costumes that changed negligibly throughout the centuries. Everyday wear was simple and dark-coloured, and for holidays they dressed in finer clothes of a richer cut and decoration. These costumes have been preserved in most of the island villages and are used by folklore societies which cultivate folk traditions, songs and dances. Women's costumes consisted of along dark brown, blue or black gathered skirt with an attached waistcoat, a wide white cotton shirt with embroidery or lace, a colourful woven or silk waistband (tkanica), old gold jewellery, and several layers of coral beads that were very popular among the girls and women. Men's costumes have changed more: men used to wear gathered pants down to the knees, a silk collared waistcoat and a silk waistband, a white shirt and a red cap with a tassel, but today this costume has been preserved only in the folk dances Kumpanija and Mostra. In other folk performances men wear simple long, black, woollen trousers, a single-coloured waistcoat, a white richly gathered shirt, a wide waistband, and sometimes a straw hat with a wide brim. That is the more modern costume, more similar to town clothes, but accepted everywhere. At the end of the 19th century village women adopted a new pattern which followed current town wear: a rich gathered skirt and a jacket with wide sleeves in the same dark material - brown, black, green etc., made of brocade or thin wool, and with that they wore rich, gold jewellery. Various customs have been preserved on Korcula, too: koledanjal festivities and well-wishing connected with various holidays and the feast days of saints: St Martin's - 11 November, St Folk traditions and church holydays Catherine's - 25 November, Christmas, New Year etc. On those occasions groups of children and young people go around the village, to neighbours, friends or houses in which festivities are being held, singing customary old songs. In return the hosts treat them to dry fruit, oranges, sweets or money. Ancient folk dances and customs were part of celebrations for local patron saints. The Kumpanija used to be performed in Blato on St Vicenca's day on 28 April, the Moreska in Korcula on St Theodor's on 29 July, the Mostra in Zrnovo, in Postrana hamlet, on St Roch's on 16 August. Now these dances are performed in the summer on various occasions, even every week for tourists. In the city of Korcula a number of traditions and celebrations have been preserved mostly connected to religious holidays. Especially picturesque are the church processions held several times a year. The largest and most ceremonious of all is on Good Friday. The procession goes around the old city in the evening; as many as 400 members of local brotherhoods participate in it dressed in tonnages, carrying large candles and other processional decorations. During Holy Week there are also other ceremonies when old medieval songs and hymns are sung. Similar processions are held on Pentecost, Corpus Christi, St Mark's, and St Theodor's. In all the island towns carnival celebrations are customary (in the period from mid January to Ash Wednesday which, according to the church calendar, falls on a different date every year, by the end of February to the latest). In this period masked balls, maskare, are held every week in Korcula. Besides individual masks, there are also funny groups with little shows, and masked performances for children. Festivities reach a peak on Shrove Tuesday, when Krnoval is placed on trail because he is to blame for all the misfortunes that happened in the town during the past year. It all ends in his punishment - he is burnt and the people celebrate with traditional local food and drinks. Dalmatian folk songs are a special kind of folk art. Like in days of old, they are usually sung by klape, harmony-singing groups of six to nine men who meet in the evening somewhere in the town, on the seashore and sing for their own pleasure. Today most customs live on the island as a part of local life. They are also preserved and cultivated by culture and performing societies which exist in all the villages and give performances several times a year, usually in summer, not only in their own village but also in other places, for the numerous tourists are the church processions held several times a year. The largest and most ceremonious of all is on Good Friday. The procession goes around the old city in the evening; as many as 400 members of local brotherhoods participate in it dressed in tonigas, carrying large candles and other processional decorations. During Holy Week there are also other ceremonies when old medieval songs and hymns are sung. Similar processions are held on Pentecost, Corpus Christi, St Mark's, St Theodor's. In all the island towns carnival celebrations are customary (in the period from mid-January to Ash Wednesday which, according to the church calendar, falls on a different date every year, by the end of February to the latest). In this period masked balls, maskare, are held every week in Korcula. Besides individual masks, there are also funny groups with little shows, and masked performances for children. Festivities reach a peak on Shrove Tuesday, when Krnoval is placed on trail because he is to blame for all the misfortunes that happened in the town during the past year. It all ends in his punishment - he is burnt and the people celebrate with traditional local food and drinks. Dalmatian folk songs are a special kind of folk art. Like in days of old, they are usually sung by klape, harmony-singing groups of six to nine men who meet in the evening somewhere in the town, on the seashore and sing for their own pleasure. Today most customs live on the island as a part of local life. They are also preserved and cultivated by culture and performing societies which exist in all the villages and give performances several times a year, usually in summer, not only in their own village but also in other places, for the numerous tourists. Education and Culture Regular primary schooling was established on Korcula at the beginning of the 19th century, but much earlier than that priests taught children to read, write, arithmetic and natural sciences, and not only the sons of rich families. Many continued their education at universities in Italy, especially in Padua. Besides priests, there were local literate, educated people on Korcula quite early, mostly lawyers, and there were also educated foreigners: teachers, doctors, and pharmacists, mostly from Italy. In the 19th century a relatively large number of islanders graduated from various universities, and they played an important role in the social, cultural and political life of the city and the island. During Austrian rule at the beginning of the 19th century four-year schools were founded on the island in Korcula, Vela Luka and Blato, and by the end of the century in most of the other villages. In 1870 the school in Korcula became a middle school, and there was also a trade school for stone carving and shipbuilding. In the middle of the 20th century, after the Second World War, a secondary school was founded in Korcula, and now the network of secondary schools includes Blato and Vela Luka, while the rest of the villages have primary schools. Closely connected to education is culture, and culture was very highly developed here. Croatian was used besides Latin in churches, and especially during folk religious ceremonies. Unknown domestic writers translated church hymns and psalms from Latin creating almost authentic folk poetry and, poetic translations. There were also quite a lot of folk poems, and several prominent poets: in the Renaissance period Ivan Vidali, 16th century, and the best-known Korcula poet and playwright Petar Kanavelic in the 17th century. Many prominent scholars-humanists also came from the island: Jakov Banicevic from Zrnovo, Jakov Salecic from Smokvica, Vicko Paletin writer, seaman, missionary and cartographer, from Korcula. Although they did not live or work on Korcula, and acquired their knowledge far from their island, their thirst and encouragement for knowledge was still gained in their childhood here. In the 15th century the city of Korcula reached a high peak in architecture, primarily under Venetian influence. Architects from Lombardy, Apulia and nearby Dubrovnik came here. This fact alone shows that the frame of mind and the mood in the town were such that people could follow cultural currents in bigger places. Lively trade connections with Venice neighbouring towns on the Croatia. And the Italian coast, and throughout the Mediterranean, enhanced this consciousness. Therefore paintings from Venice by prominent contemporary artists were acquired not only for Korcula Cathedral and for the other city churches, but also for those in nearby villages (Cara, Blato). The cultural strivings of townspeople and islanders can be seen in Renaissance, Baroque and later works of art which they used to decorate their houses and especially in the books, manuscripts and incunabula, and complete libraries, that belonged to churches and to many prominent families. There are records about the atrical and musical performances in Korcula in the 16th century, about organs organists and other musicians and instruments. In the 18th and 19th centuries Italian theatre troupes often visited, and local amateurs gave their own shows and performances with music, singing and acting. In the second half of the 19th century, as a result of political changes and the awakening of national consciousness many cultural societies and institutions were opened on Korcula: the Slavjanska reading-room, Croatian municipal brass band, singing and tambura societies. At the end of the 19th century a regional museum was founded in Korcula, and soon the first buildings for social and cultural life were erected. After the Second World War various cultural activities developed, numerous cultural and performing (folk) societies were founded, amateur theatricals, choirs, libraries, museum collections and church treasuries. Lectures, concerts, theatrical guest performances and exhibitions were organized - thus keeping abreast of cultural life in larger centres. |
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